The conversation starts here. Join us in the lively discussion of all things theatre.
The conversation starts here. Join us in the lively discussion of all things theatre.
Elaine Avila is just finishing her three years as a PTC Associate with a July workshop of her play Fado. This essay, which we consider a stellar example of the kind of dramaturgy playwrights engage in, was originally published as part of a blog salon called “Stages of Resistance”, curated by Caridad Svich for The Lark Theatre. The series welcomes reflections on themes related to making work for live performance in political and aesthetic resistance to forms and systems that oppress human rights and censor or severely limit freedom of expression.
Originally published on Ruby Slippers’ Flying Monkey blog, here Heidi Taylor talks about her own experience with disability and the broader issues of inclusion in theatre.
Playwright/director/teacher David Geary responded to a query in the LMDA digest about post performance feedback sessions, whether they are useful and how they should be conducted.
Block A winter session mentor Joanna Garfinkel is experimenting with bringing this cohort of writers into PTC’s Test Kitchen for physically-based work to help with script writing. We asked her to share her thoughts about this unique process.
Playwrights Theatre Centre (PTC) currently has four volunteer positions available among its diverse and vibrant board of directors. We are seeking board members with an interest in how new Canadian plays are made, and a commitment to growing their own leadership skills.
Are you a writer interested in working collaboratively? Block N is a weekend intensive in physical creation for writers led by New(to)Town Collective, March 18 & 19, at PTC. Emerging or experienced, bring your curiosity and a willingness to play.
We are pleased to announce the participants in this year’s Block P (Producing): lee williams boudakian, Moses Clyde Caliboso, Rachael Goddard-Rebstein, Peg Keenleyside, Jessica Leung, Ariel Martz-Oberlander and Anoushka Ratnarajah. Over the next six weeks these five artists will be learning the ins and outs of indie producing with UpintheAir Theatre’s Daniel Martin and Dave Mott. Read their bios…
Both Melanie Yeats and Kathleen Flaherty attended the PuSh Festival workshop Page to Stage: The Craft of Adaptation with Vincent Murphy in late January 2017. Murphy offers what he has learned and taught about adaptation-specific strategies for theme, dialogue, character, imagery, storyline, and action. Belinda Bruce and Kathleen Flaherty asked Melanie to share her thoughts on the workshop.
Sometimes we neglect to honour and celebrate our theatre mentors and elders while they are among us. We feel this keenly at the passing of the indefatigable, the inspiring, the irreplaceable Joy Coghill. Kathleen had some enviable opportunities to collaborate with Joy, so we asked her to do put some of her feelings into words.
PTC is pleased to announce that we have chosen five playwrights as PTC Associates 2017 – 20. We will work on their new plays over the course of the next three years.
PTC’s Dramaturgy & Programming Intern, Davey Calderon, is often in the studio these days developing a new theatrical creation. We know how eclectic and interesting his training and influences are, and we are intensely curious about the sounds coming from the Test Kitchen, so Kathleen asked him to share something about the work and his unique process with us.
PTC Holiday Hours:
Please note that PTC will be closed for the holidays on December 22, 2016 and will reopen on January 3, 2017.
DEADLINE EXTENDED to Tuesday, January 24, 2017.
PTC is calling for submissions for six sessions on Producing for Theatre called Block P 2017. UpintheAir Theatre’s Daniel Martin and Dave Mott offer a crash course in producing. Indie production is how many theatre makers get started – in the Fringe, in another festival, maybe just striking out on their own. The six-session Block P offers practical skills, meant to apply to a project you have in the works.
PTC and the Vancouver Fringe Festival are pleased to announce that the team comprised of lee williams boudakian, Anoushka Ratnarajah and Kamee Abrahamian is the winner of the 2017 Fringe New Play Prize for (Untitled) Boxes. The Prize includes a free Mainstage spot at the 2017 Vancouver Fringe, the design and execution of a development process for the play with PTC’s Associate Dramaturg mia amir and production mentoring from PTC.
Joint AGM with Itsazoo Productions. Join us at our AGM, an evening of celebration and free Associate-ing. The end of 2016 marks the final days of our three-year collaboration with PTC Associates Carmen Aguirre, Hiro Kanagawa, Quelemia Sparrow, Adrienne Wong, Dave Deveau and Elaine Avila.
Heidi Taylor reveals the inner workings of PTC’s Company Collaborations – how projects are chosen and what happens behind the curtain.
Want to be part of an international performance commons? Meet Ramona Ostrowski (Associate Producer) and Jamie Ghalon (Co-founder & Senior Creative Producer) of HowlRound TV while they are in Vancouver to introduce their platform and program content for the online theatre portal.
Join us for a conversation of how theatre contributes to the fabric of Vancouver’s Chinatown – where food and language intersect on Coast Salish territory. Come at 6:30pm for the DUMPLING CHALLENGE! Stay for readings in English and Cantonese from Jovanni Sy’s play A Taste of Empire/食盡天下, translated into Cantonese by Derek Chan. With Bob Sung, Jovanni Sy, Derek Chan and Andrea Yu.
Thoughts about working with the Cantonese language after a decade in self-exile. In part two of this two-part series, Derek Chan, co-artistic director of rice and beans theatre, reflects on the experience of translating Jovanni Sy’s hit play A Taste of Empire from English to his first language, Cantonese.
This year’s Writers’ Colony (Dec. 6-16, 2016) brings four writers together with dramaturgs, actors, designers, and cultural consultants to crack open four scripts through bespoke dramaturgical processes. Peter Anderson (Vancouver), Sunny Drake (Toronto), Debbie Patterson (Winnipeg), and José Teodoro (Toronto) will spend ten days together to move their work to the next stage.
PTC is seeking four exceptional playwrights to join the company for three years, to develop a central project – and their practice – with PTC dramaturgs. Our past Associates have developed plays, process, and a community of theatre makers.
Derek Chan shares his thoughts on rekindling his relationship with the Cantonese language through translation of Jovanni Sy’s play “Taste of Empire” from English to Cantonese.
Announcing the participants in the 2016-17 Block A, PTC’s popular program for emerging writers.
This is the second of a series of notes by Deneh’Cho Thompson on creating and developing his Fringe play. Deneh won the Fringe New Play Prize based on a statement of intention and some writing on a piece called “The Girl Who was Raised by Wolverine”.
An in-depth look at PTC’s process for creating an accessible online presence.
ACCEPTING SUBMISSIONS UNTIL: August 7, 2016.
PTC is convening our tenth annual Writers’ Colony in Vancouver, BC, December 6-16, 2016. Playwrights from across Canada are invited to make submissions to be part of it.
Tinkers is an adaptation of the Pulitzer-Prize winning novel by Paul Harding. This new transcendentalist work features an intimate and dazzling relationship with the natural world, woven into a story of family karma.
June 21-25, 2016 at the Firehall Arts Centre
O’wet/Lost Lagoon is a solo performance about reclamation and change that weaves real-life stories with the visceral experience of a spiritual canoe journey. Written and performed by Quelemia Sparrow, it grapples with the identity of a mixed-race aboriginal woman in a present-day, colonized world.
Playwrights Theatre Centre (PTC) is calling for submissions for our most popular program for emerging artists: Block A. Block A is for playwrights who have written in class or in their kitchens, maybe had a short piece produced. And for theatre artists who have thought of themselves primarily as actors…
The Vancouver Fringe Festival and Playwrights Theatre Centre are calling for applications for the fifth year of the Fringe New Play Prize.
How does Jordan Hall engage with comic forms in her new play “How to Survive an Apocalypse”? Embedded critic Kelsey Blair investigates.
How to Survive an Apocalypse by Jordan Hall is the winner of the 2016 Flying Start Program, a collaboration between PTC, Touchstone Theatre and the Firehall Arts Centre. The 18-month development process for a new play culminates in a first production at a PACT theatre. The play opens June 2…
In this reprint from Howlround, PTC Associate Elaine Avila talks about her path to playwriting, her Azorean-Portuguese roots and telling stories missing from the stage. Playwright Elaine Avila’s grandfather, João Henrique Avila, was one of the first photographers in his village Ribeiras, Pico, in the Azores, Portugal. He came to…
This is the first of a series of notes by Deneh’Cho Thompson on creating and developing his Fringe play. Deneh won the Fringe New Play Prize based on a statement of intention and some writing on a piece called The Girl Who was Raised by Wolverine. It was apparent that…
Dave Deveau sent in this photo of what his new play, Dead Peoples’ Things, looks like the Friday afternoon before the workshop on Monday. Part of the development process can be spreading the pages out on the floor and moving them around. Or cutting pages into bits and moving the bits…
Sometimes it happens that a new year begins with new projects at PTC. Dramaturg Kathleen Flaherty burbles through the office about two of her fresh collaborations. Unsolicited, she declaims quotes from obscure sources without context, which prompted us to ask for more detail about the sometimes confounding origins of her newest theatrical musings.
November 14, 2015: Shawn Macdonald invited me to speak to participants in LEAP, which he runs with Christine Quintana at Vancouver’s Arts Club Theatre. It’s a training unit for playwrights ages 15–23, culminating in public readings in April–May. [I draw a straight chalk line across the floor between the students…
PTC is calling for submissions for six sessions on Producing for Theatre called Block P 2016. Block P will take place on six Tuesdays, beginning February 9 and ending in April, and will be led by Daniel Martin and Dave Mott of Upintheair Theatre. Sessions will encompass producing from primarily…
Theatre and new technologies with Mallory Catlett February 1, 2016, 6 – 10pm PTC Test Kitchen (#202 – 739 Gore Ave., Vancouver) Register via the PuSh Festival website AED Heidi Taylor had a chance to see a workshop production of Decoder 2017 in New York in June, and is excited…
We continue our series about this unique version of the Writers’ Colony, featuring brief interviews with the participating artists. PTC is convening its ninth annual Writers’ Colony in Vancouver, December 2-12, 2015 with playwrights Janet Hinton, Heidi Janz and Adam Warren. Also collaborating on Colony 2015 as dramaturg/directors are the…
In July, AED Heidi Taylor headed to the Sunshine Coast for a collaboration with Kendra Fanconi and The Only Animal team on a site-specific workshop of Tinkers. The show is an adaptation of the 2009 Pulitzer Prize winning novel Tinkers by Paul Harding. This new transcendentalist’s work features an intimate…
“…an innovative, sensual feast. ” –Colin Thomas, Georgia Straight PTC is excited to support the remount of This Stays in the Room. The play animates the PTC Test Kitchen for its rehearsal period, and dramaturg Heidi Taylor will again be part of the creation team. Second productions are a valuable and…